View
View is an online magazine in collaboration with Room. It publishes reviews of exhibitions at Room and other spaces, by Room artists and other artists; and articles by writers on art and other issues.
- Old & Young Pretender: paintings by Warwick McLeod. An essay by Ann Parker
- In Memory of Water: paintings by Matthew Couper. An essay by Warwick McLeod
- Life In A Box: drawings by Lorene Taurerewa. An essay by Warwick McLeod
- Huggermugger: monkeys and golliwogs in Lorene Taurerewa's art. An essay by Beth Fiore
- She Draws Like An Angel While She Renders Hell: Lorene Taurerewa's Company of Fools. An essay by Ashley Crawford
- The Dealers Hand: traditions of representation in drawings by Lorene Taurerewa. An essay by Warwick McLeod
- From Impressions To Fossils: Matt Couper's Accumulating Signs. An essay by Anthony Morreale
- The Divine Self and the Church of Auto-Resurrection. An essay by Peter Howland
- Death And Resurrection In Las Vegas: A review of Matthew Couper's exhibit Horror Vacui. An essay by Jenessa Kenway
- "Matthew Couper: Horror Vacui" Is A Kiss Before The Bite. An essay by Ed Fuentes
- In the thick of it: Matthew Couper's 'Skins and Teeth'. An essay by Jenessa Kenway
- Good & Bad Luck: symbols in Matthew Couper's work. An essay by Aaron Lister
- Matthew Couper's Ex Votos. An essay by Gerald Barnett
- Hypnogogia: Selwyn Rodda's paintings. An essay by Steve Cox
- Monkey See: problems for narrative painting today. An essay by Warwick McLeod
- Vanitas in drawings by Lorene Taurerewa. An essay by Warwick McLeod
- Lorene Taurerewa and A Sensible World. An essay by Owen Davidson
- Spirit and Form: the art of Lorene Taurerewa. An essay by Owen Davidson
- The Ties That Bind: Warwick McLeod's Sons of Leod. An essay by Damian Skinner
- The Ties That Bind: Warwick McLeod's Be Ye As A Brazen Wall. An essay by Damian Skinner
- The Ties That Bind: Warwick McLeod's Knot. An essay by Damian Skinner